a sample from the horror thriller Freak
Chapter One
Purly
The
vanity mirror’s dozen rose bulbs flickered every time a neighbor switched
on a major appliance. This flickering, barely perceptible under hard white
light, was a dramatic event in Marilyn Purly’s perfectly dark bedroom.
Her
ceiling and walls were papered black, her furniture ebony-stained. Carpet,
bedspread, pillowcase and sheets:
all were dyed Midnight, the deepest black available. Floor-length
black velvet curtains hung in her windows and doorway.
But
for Purly, the little black room could never be dark enough. That reflection
belonged to a golden touch-me-not goddess; on the inside sick and dying, on the
surface uniquely and breathtakingly attractive. Purly’s uniqueness, in
heavily cosmeticized
In
one of nature’s crueler little ironies, Marilyn Jayne Purly had been
cursed with a pathological aversion to attention. She’d tried hoods and
bonnets, scarves and veils, bangs and dark glasses; nothing could conceal her
sexual charisma. Even the suffocating wraps she wore outdoors seemed only to
cling and entice. Though countless young women would have killed for her looks,
Purly’s deepening depression inevitably drove her to the opposite idea.
It took eleven suicide attempts and half a dozen complete nervous breakdowns,
but in the end the most aggressive men withered and ran. Her fiercely
protective landlady took care of the rest.
The
hospitals and courts agreed:
whether institutionalized or subsidized in the real world, Purly would
not survive outside her bubble. Only a steady stream of S.S.I. checks kept her
safely sealed in this crypt.
All
her life she’d dreamt plain; Marilyn’s make-believe self was
a wisp of a woman, daintily dancing for gentlemen in denim. One, the nicest
one, would sweep her off her feet to a land of coffee mugs and white picket
fences. The mirror was her window into this secret world. Purly began reliving
her tortured adolescence in that little window; initially as a distraction,
then in direct competition with the fantasy. In time the delicate dream
dissolved completely, leaving her addicted to a masochistic morning ritual.
Looking
into that swirling glass pool was like watching a movie on a flat oval screen.
She could see the halls, could hear the whistles and shouts, could almost smell
the hormones as the boys of high school came stampeding; hurling themselves
against her, squeezing frantically, blocking her progress as she struggled to
make class. Right behind were the average girls, egging the bug-eyed boys on,
slapping her too-pretty face until she ran the gauntlet screaming like a
banshee. Alone in the dark, Purly still felt the boys’ horny paws, still
felt the normal girls beating her into hysterics.
Closing her eyes, she reached into her
makeup box, picked out an unused razor blade, and guided it to her face. The
jerking blade never touched flesh, but she felt every imaginary slice before
lowering it to poise, for the thousandth time, above an upturned wrist.
Purly
opened her eyes, neatly returned the blade, and for the thousandth time watched
the ghosts of adolescence drift to the mirror’s periphery.
Fresher,
sharper images rose in their place. First up was her landlady’s toad-like
face, her fat eyes burning through the shadow of a straw hat’s brim. Next
appeared the probing face of a serious man, a kind of senior policeman. Lastly
came the crouching form of a muscular man facing away, the back of his jumpsuit
lettered, enigmatically, Harbor TV &
VCR. These images also drifted and passed. The mirror clouded.
Out
of the fog rose an angular face with gray, very penetrating eyes. The eyes had
a way of locking onto your movements without shifting, as on one of those
imposing portraits with eyes that appear to pursue you regardless of where you
stand. Immediately behind the face came a dully resonating sound, like a
buoy’s bell in choppy waters. The sound produced a conditioned
response: Purly placed a hand in
her makeup box and extracted a tiny vial of perfume. She twisted off the cap.
The ringing grew insistent. She let a few drops fall into her cleavage before
loosening the big satin bow on her sweet little babydoll.
Now
the doorbell was clanging urgently in her skull. In a dream, she pushed herself
to her feet, pulled aside the curtain, and staggered around the jamb. The bell
had her by the pulse. She almost fainted when she reached the door.
Daylight
was a vertical splash of acid. Purly clung to the knob while the man outside
cursed her up and down; first with gentle urgency, then with real invective.
Once she’d freed the chain he forced the door with a foot and forearm,
steadily bumping her back until he could squeeze inside. Juggling a sloppily
stuffed black plastic bag, he slammed the door, shoved the chain back in its
catch, and firmly turned the knob’s heavy new, deadbolt-style lock.
Vilenov dropped the bag on a coffee table and peeked between the curtain and
window frame. Yes, there she was, right on cue. That fat nosy witch with the
humongous straw hat, sneaking out of her apartment to pace the drive. He let
the curtain fall.
An
edgy, lean little man, Vilenov moved in fluid spurts. In another unbroken
sweep, he switched on the ceiling light with his left hand, scooped Purly by the
waist in his right arm, and eased her onto the couch under the high wide mirror
in the chipped plaster frame. He plopped down beside her excitedly, ripping
open the knotted bag with his teeth. Inside were a fifth of Jack Daniels, a few
hundred dollars in tens and twenties, and a number of hardcore pornographic
magazines. He spun off the cap and swallowed greedily before tearing away a
handful of cellophane. “Gifts,” he mumbled, his eyes gleaming.
“I come bearing gifts.” For a while there was nothing to be heard
but the rustle of thumbed pages and an occasional swallow. At last he sighed
and fell against her, a forearm balanced on her shoulder. The hand dangled only
a moment. As it began its slow descent he dropped back his head.
“Oh,
Marilyn, Marilyn, Marilyn; oh sweet, sweet sweet
Mary Jayne. How I’ve missed you, sugar pie. And you never even knew I was
gone, did you?” He eased down the babydoll. “But I told you
I’d be back. Just like always.”
Purly
stared ahead without expression. Hugging her in his left arm, Vilenov bent
forward to peel off his shoes and socks. “Mary Jayne!” he
hissed, pulling her back with him. “It’s on fire in here,
don’t you think?” It was like talking to a rubber doll. “But
that’s August for you. Even the ocean air doesn’t help much.”
He lifted her hand and placed it on his thigh. The hand was cold as putty.
“Why, I remember walking barefoot on the beach as a kid, and the sand
would be so hot I’d come home with blisters on my feet. That kind of
heat—August heat—gets sucked into anything that’s holding
still.” Vilenov rocked against her playfully. “But enough about me.
I know you must be sick of hearing about my crummy childhood.” He peeled
off his shirt, spat out, “Damn, it’s hot!” and grabbed
a handful of golden hair. Vilenov yanked her head around, his bitter gray eyes
narrowing. “You’ve never told me, sweetheart. Just what are
you hiding from, anyway? You think you’re too good-looking for the rest
of us? Is that it? You think we common folk will just catch fire and explode if
we have to endure even one teensy peek at your precious, intoxicating
beauty?” He shoved her head so hard the cartilage in her neck popped.
Purly’s chin rolled shoulder to shoulder, at last coming to rest buried
in her chest. Vilenov ran his tongue through her long damp hair, grimacing at
its sweetness. “Honey Blonde,” he mumbled. He pulled her head back
up, but this time with tenderness. “Listen, lover, before I
started doing you I had ’em all, and like any sane male I went for the
youngest and prettiest, the dumbest and blondest tail I could
find—models, beach bunnies, playgirls; you name it. Not so very PC you
think? Not sensitive enough? But that’s how we men are.
We’re hardwired for action, not for airs.” He turned her drooping
head to face him and spoke like a confident suitor about to pop the question.
“Well now, Mary Jayne, let me tell you. For twenty years I’ve been
peeling back the primest poon this county has to offer. But you know what?
Sooner or later a man grows up. Sooner or later he realizes that all those
snotty plastic bimbos out there are purely superficial, and finds himself going
afte r. . . strange fruit.” He released her head and shifted tighter
against her, whispering in her ear while his hands roamed. “You
don’t know what I’m talking about, do you? You don’t know who
I am, or how many nights we’ve spent together, or just how crazy I am
about you. Or how happy it makes us both when your pretty little nightie comes
sliding down . . . it’s so pretty . . . so pretty.” Vilenov
shuddered as Purly’s babydoll dropped to her waist. He moaned, pressed
down her hand and slid it up his thigh.
The
hand resisted.
Vilenov
froze, every sense questing. For half a minute he didn’t even breathe.
Then, very slowly, he reached over, gently pinched her chin in his fingers and
turned her head. Purly responded with a petite cough, flecks of froth emerging
at the corners of her mouth. In Vilenov’s pale gray eyes a pair of red
blazes appeared and passed. He carefully studied the slack, heartbreakingly
lovely face. “That chest cold of yours is getting worse, Mary.
We’ll have to do something about it. Now you just sit here like a good
girl while I go get the medicine. Don’t make a move.” Vilenov rose
and stood absolutely still, feeling the room. He listened closely, studied
every object visually, sniffed the air for unfamiliar scents. Sweat was
building round his hairline, rolling down his chest and back. The place was a
freaking sauna. He took another long look around and tiptoed into the bathroom.
Purly
sat in a slump, staring at nothing. She thought she could hear voices outside,
very much subdued. Whispers. There were also a few miscellaneous sounds: the soft turning of gravel underfoot,
what might have been a radio chattering in the distance, a familiar creaking of
floorboards in the apartment above. Then, except for the tiny squeaking of the
medicine cabinet’s hinges, complete silence. Without knowing why, Marilyn
Purly wobbled to her feet. She walked to the front door in a trance,
noiselessly unlocked the knob, and returned to her place on the couch. Her eyes
fell on the black oblong box of the VCR, squatting atop her television’s
dull maple cabinet. Hello, she wanted to say.
Vilenov
walked back in; a jar of Mentholatum in his left hand, his trousers and briefs
in his right. He tossed the clothes on the coffee table, liberally lathered his
hands with the mentholated goop, and turned to face the hunched woman. Their
knees locked. Vilenov reached down, got his hands full and began to massage.
“That’s my baby,” he breathed. “That’s the girl I
love.” He let go reluctantly, placed Purly’s palms on the backs of
his thighs, and walked his left hand down her chest while his right hand gently
pulled her head forward.
Nicolas
Vilenov admired his reflection. Sweat was rolling all down his body. His eyes
were glazing. After a minute his right knee began to tremble. He smiled, let
his head fall back, and closed his eyes.
Carre
placed all his weight on the edge of his left foot, keeping his balance using
only two fingertips pressed lightly against the apartment’s outer wall.
He’d held his breath so long his eyes were popping. Muted, oddly rhythmic
sounds came from inside; the sounds of hogs in a dream. He delicately rested
his ear on the door, and the hogs took on a distinctly human quality. Except
for those muffled grunts and sighs, Purly’s apartment was dead quiet.
Carre soundlessly exhaled.
His
eyes met Vincent Beasely’s, raging just across the doorway. Carre’s
head cocked warningly. He could see Beasely was ready to blow; the man’s
body language was all profanities—brows knit, nostrils flared, lips drawn
back in a snarl. Carre had watched these symptoms grow more pronounced with
each passing day, beginning with Beasely’s first good long look at a
surveillance photo of the suspect, culminating in his yearning, embarrassingly
anxious comments about the Purly woman. Now, thanks to their shared hot and
cold emotions, the relationship between these officers couldn’t have been
more electric. Both men were comfortably married, both were immovably
principled, and both were irresistibly drawn to Marilyn Jayne Purly. Beasely
had it worse: he’d always
been, if anything, dedicated to the letter of the law; a soft-spoken cop with a
good record. Not the sort of man to lose his head or his heart. Carre was by
nature on a tighter rein; stiff, pressed, and polished, and notorious for his
ability to take drastic disciplinary measures without a trace of sympathy. Yet,
despite Beasely’s steady and very unprofessional change, Carre had refused
to have him reassigned, had instead become his staunchest supporter. For, from
somewhere in his midbrain, Roland Carre hated, hated, hated Nicolas
Vilenov almost as much as did Vince Beasely.
Carre
flicked his head and looked back at the drive. Most of the buildings’
tenants were standing in a broad crescent facing Purly’s apartment,
restrained by three uniformed officers. A man in a white shirt and tie waited
at midpoint, staring at an upstairs window. The rest of the tenants were
leaning on the twin building’s upper rail, watching intently.
All
this crowd control should have been unnecessary. The buildings’ occupants
had proved quite compliant, even shy, timidly filing into their units to peep
from windows and cracked doors. There they had remained until only a few
minutes ago, when their massive manager began sucking officers into a whispered
shouting match over rights and procedures. One by one they had reopened their
doors to mill uncertainly between the buildings. The woman became more unruly
in their presence, as though readying a charge, but backed off grudgingly when
officers threatened her with obstruction. She returned to pacing her assigned
perimeter, only to subtly work her way back in as the raid neared the moment of
truth.
Carre
lowered his left hand until the fingers just graced the doorknob. He pinched it
lightly, turned it centimeter by centimeter. The knob was unlocked. He turned
it back just as slowly. The chain might be up, but it wouldn’t stand
against his and Beasely’s shoulders.
The
coordinating officer’s full attention was on the apartment directly above
Purly’s. In that unit the drapes parted to reveal a dark standing figure.
This man turned his head to look back into the room. After a tense half-minute
he dropped his arm in a chopping motion, copied instantly by the man on the
ground. Carre gently turned the knob. He and Beasely, with a quick exchange of
glances, hit the door as one.
What
Carre saw stopped him dead. He barely budged when Beasely slammed into him from
behind.
Seated
at opposite ends of the couch were a clothed man and woman. A tall glass of
iced tea stood on a coffee table at their knees. Scattered about this glass
were maybe two dozen supermarket coupons and a number of magazines. Carre
automatically sampled titles: Sailboating Now. Kittens & Puppies. Poetry
For Beginners. His eyes were drawn to an old black and white TV
across the room. On the screen a cartoon whirlwind raced across a cartoon
desert.
“Beep
beep!” the whirlwind cried.
A
black videocassette recorder was perched on the set’s console. Carre
walked over and stared into the VCR’s remote control sensor. For a weird
moment he was totally in the dark. He straightened and found himself studying
the faded print of a skinny, homely ballerina. As he turned back to face the
room his attention seemed to drift along behind.
The
suspect was on his feet; every aspect of his expression and posture consistent
with surprise and indignation. A cussing Beasely had one arm around his neck,
the other twisting his wrist up behind his back. Marilyn Purly, dressed in
happy-face muumuu and fuzzy pink slippers, was screaming out of her mind. On an
end table were a green rotary telephone and a carefully folded tablecloth.
Carre overcame a ridiculous urge to drape this cloth around the screaming
woman.
There
came a repeated, dreamlike stomping above. The concussions staggered Carre. One
moment he thought he would faint, the next his consciousness was struggling
with two separate perceptions of a single event: he could have sworn he saw his
transparent mirror image reach into a fanny pack to extract something pallid
and flaccid. Carre watched dumbstruck as the apparition placed an evidence bag
under Purly’s chin, signed a document on a clipboard from forensic
officer Beloe, and helped the woman undersign. The hallucination blurred,
shivered, and passed.
“Marilyn?”
Carre managed.
Purly
peeked between her fingers and nodded frantically.
“I
wonder,” Carre’s voice said, “if we could step into the
kitchen for a minute. You remember me, don’t you, Ms. Purly?” She
nodded again, languidly now. Carre was absolutely blown away, as though for the
first time, by the woman’s terrible beauty. A tiny voice in the back of
his head begged him not to stare, but he couldn’t help it. He took a
couple of deep breaths and forced himself to relax. “I’m officer
Roland Carre,” he said clearly, and with authority. He was back on track.
“We had an arrangement to spring a sort of trap on a man suspected of
being a serial rapist in the
Purly’s
head bobbed resignedly. She extended a shaking hand. Carre helped her to her
feet and quietly led her into the tiny kitchen, sat her down on one of the
cheap little chairs around the cheap little table. He used a thumb to gently
peel back an eyelid. Carre saw a red, but otherwise perfectly clear, eyeball.
“Ms.
Purly, can you tell me what was taking place before we came in? If you’re
up to it, that is.”
She
sobbed and nodded, shivered up and down. “We were having tea. Iced. Nicky
and I were discussing catamarans and the migratory patterns of blue
whales.”
“Nicky?”
Purly
giggled spasmodically. “Nicolas,” she gushed. “It’s my
pet name for him.” Her expression collapsed, and Carre found himself
staring into the flickering baby-blue eyes of an unspeakably frightened woman.
His fists clenched. “He . . . he calls me Mary Jayne. No one has
ever called me ‘Mary Jayne’ before.”
Carre
grasped her shoulders and felt her flesh melt in his hands. He went down on one
knee to be face to face. Exercising great control, he said with exaggerated
clarity, “Ms. Purly, right before we came in, was this man Nicolas taking
advantage of you sexually, or in any manner making you feel afraid for your
safety?”
Her
reaction was so dramatic Carre had to recoil. Purly tensed up and glared, a
lioness protecting her cub. “Certainly not! Nicky is a perfect
gentleman!” Plush tears rose under the lids. Suddenly her eyes were
rolling in her skull. “What’s going on here, officer? What are you
doing in my house? Why are you asking these disgusting questions?”
Carre
stepped back, his cheeks and ears burning. “I’m very sorry,
ma’am. And I deeply appreciate your cooperation.”
He
stomped into the front room and stood nose-to-nose with Vilenov. Carre’s
expression underwent a complete transformation, from lovingly sympathetic to
jungle-pissed. The breath hissed between his teeth as he fought to retain his
professionalism. “One question,” he said icily. “Just what
the fuck was going on before we blew in here?”
Vilenov
winced. Beasely twisted harder.
“Nothing,
sir,” Vilenov gasped. “Oh, please . . . nothing! We were talking
about boats!” His whole face became contorted. “We were talking
about whales, for Christ’s sake!”
Slowly
the blood drained from Carre’s face. When he turned back around, Marilyn
Purly was slumped in the kitchen doorway, shivering; a wounded doe in
headlights. “Ms. Purly,” he said crisply, “I’d like to
use your phone, if I may.” Without waiting for a reply, he picked up the
receiver and dialed Pacific Division. Carre stood facing the wall for a few
minutes, his jaw hanging. At last he looked straight up and shook his head in
disbelief. He nodded at Beasely.
Beasely
cruelly jammed the suspect’s arm while whipping out a pair of handcuffs.
Vilenov cried out and dropped to his knees. Beasely slapped on the cuffs even
as a trio of officers dragged the man back to his feet. “Now pay real
close attention,” Beasely snarled, his lips right up against Vilenov’s
ear. “I’m gonna introduce you to Miranda. Oh, I just know
you’re gonna love meeting her, prick, because we’ve all seen how
interested you are in rights. First off, you’ve got the right to remain
silent. But I’ve got the right to make you squeal like a pig.”
Beasely twisted even harder as he shouldered him out the door. Vilenov,
protesting all the way, was bullied through a scattering fence of tenants.
Carre
turned to face the kitchen doorway. Even bundled in her floppy terrycloth
muumuu, Marilyn Purly was the classic damsel in distress, reanimating every
guilty fantasy he’d died through since that first interview just outside
the black little room. “My work is done here,” he said softly.
“An officer will arrive shortly to help you get everything sorted out and
back to normal. Because of certain inconsistencies, Ms. Purly, I’m
requested to assign a crew of specialists. They’ll be gathering evidence
for a very short while, and I promise you the absolute minimum of
inconvenience. It’s just that something doesn’t make sense
here.” He ran out of words. Carre dropped back his head and blew out a
sigh. “Have a nice day,” he whispered, “Mary Jayne,”
and turned on his heel.
In
the apartment directly above, three men were stationed before a long folding table.
On this table rested a daisy chain of patched boxes, a computer keyboard, and a
large video monitor. The man in charge was seated, his two partners standing
close behind his chair. The men were watching the real-time image of Purly
sitting topless on the couch, apparently in a trance.
“She
looks gone,” said the seated man.
“Jesus,”
whispered the man to his right. “Would you get an eyeful of those! Oh,
mama!” Sweat was trickling around his collar. He traded a nervous grin
with the man on his left.
It
was terribly hot and stuffy in the small apartment. Windows and drapes were
sealed for secrecy’s sake, fan and air conditioner shut down to preserve
the integrity of electronic readings. The sitting man wiped sweat from his eyes
and leaned closer to the monitor. He watched Purly step offscreen and return to
the couch. Almost as if reading his mind, she slowly turned her head to face
the camera. The seated man saw what appeared to be a spark of emotional pain.
He tapped a finger repeatedly on a key. The image on the monitor zoomed in to
feature Purly’s flawless face. He made a quick note on a pad to his
right, zoomed the image back to full room.
“Oh,
Lord,” a voice whispered, as a naked Nicolas Vilenov walked in from the
bathroom. Vilenov squeezed between Purly and the coffee table, his back to the
camera. The seated man tapped rapidly on the keyboard. A bordered image
appeared around the naked man’s left arm. A few more taps, and features
within the border enlarged. He returned the image to normal. “Menthol
something,” he said.
“Mentholatum,”
came a voice behind him.
“Oh
. . . mama!”
They
watched the man throw his clothes on the table and lather his hands. As he
pulled her face forward, the seated man barked, “
Immediately
the man to his left stepped to the window and parted the drapes. He raised his
arm and looked back into the room. The two men at the monitor leaned even
closer, their heads almost touching. The camera zoomed in, showing only a
buttock and most of Purly’s face. Her eyes appeared to be made of glass.
“Go!”
said the seated man.
The
man at the window dropped his arm. When the officer below copied his gesture he
released the drapes and crept back to the chair. The three men huddled around
the monitor expectantly.
Daylight
burst in on the screen’s left side. The naked man whirled. One hand
covered his eyes, the other his genitals. He tripped backward over the coffee
table, but didn’t lose his feet.
The
two crouching men laughed excitedly, pounding on the chair like a couple of
drunken lugs watching the Super Bowl. The long days of whispering and tiptoeing
were over. Gone were the endless hours in front of a featureless screen,
waiting for Purly to turn on a light . . . to do anything. The men saw
Carre and Beasely lunge into the picture. Beasely threw a vicious chokehold on
the naked man, while Carre stood watching Purly going through the motions; arms
embracing an invisible man, head rolling back and forth. They saw Carre bend
down, saw his round brown eye look directly into the camera. Carre turned and
walked over to an end table, picked up a folded tablecloth, spread it wide and
draped it around the nude woman. The surveillance men groaned.
“No,
Rollin’!” cried one of the crouching men, stamping his foot
repeatedly. “You’re covering up the wrong one!” The man
beside him giggled.
Carre
pulled a pair of latex gloves from a fanny pack and tugged them on. He then
extracted a plastic bag with a gummed label across its face, held this bag
under Purly’s chin, put an arm over her shoulders, and spoke in her ear.
Purly obediently leaned forward and spat. Carre sealed the evidence bag and
handed it to Beloe. Beloe produced a clipboard. Carre signed, Beloe
countersigned. Carre placed the pen in Purly’s cold hand and coached her
signature. Beloe took the clipboard and moved out of the picture. Carre helped
Purly offscreen into the kitchen. In a minute he reappeared alone. He strode up
to the naked man writhing in Beasely’s grip.
Carre
snarled something and stepped back. The man was forced to put on his clothes,
even as Beasely maintained his chokehold. Beasely twisted the man’s arm
until he lashed back his head to meet his tormentor’s eyes, but Beasely,
muttering rapidly, kept his cheek pressed right up against his ear. Carre looked
to the kitchen and spoke a few words, then stepped to the end table, hesitated.
He turned to glare at the suspect.
A
black cloud passed over the restrained man’s expression. His eyes swept
all around the room, out the apartment’s doorway and back inside. For
just a second they seemed to look straight into the camera’s lens. All
three surveillance men shuddered involuntarily.
Carre,
facing away from the camera, dialed a number and spoke to the wall. He replaced
the receiver, stared hard at the ceiling and shook his head incredulously. He
looked to his left and nodded.
Vincent
Beasely savagely twisted Vilenov’s arm while whipping out handcuffs.
Vilenov went straight down. Three officers swarmed onscreen and roughly hauled
him to his feet. The knot of prisoner and officers moved offscreen into the
wall of light. Roland Carre stepped out of the picture.
“Okay,”
said the seated man. “Show’s over.” With nervous exchanges,
the two standing agents signed out on a clipboard and went jostling outside.
The man in the chair tweaked the monitor’s image, made a number of
observations on the legal pad by his elbow.
But his eyes
never left the screen.